Tuesday, 7 March 2023

Samantha Lee's Childe Rolande reviewed in the latest issue of Phantasmagoria

Appropriately, perhaps, for Women in Horror Month, veteran horror writer, Samantha Lee has an in-depth review of her dark fantasy novel Childe Rolande in the latest issue of Phantasmagoria by the ex-editor of Fear magazine John Gilbert:

Childe Rolande by Samantha Lee review in Phantasmagoria No 22 by John Gilbert:

WHEN I FIRST reviewed Childe Rolande in 1989, talk of gender identity was as rare as literature discussing it and books featuring hermaphroditic central characters were even rarer. Storm Constantine had begun her series of Wraeththu novels in 1987 with The Enchantments of Flesh and Spirit, but the
androgynous beings in her books were genetically altered and more akin to the “emo” and “goth” characters portrayed on screen and in the musical culture of those times.

Two years later in 1989, Samantha Lee’s Childe Rolande was published with little fanfare by New English Library in the UK but became a slow burn cult classic amongst fantasy and science fiction critics and devotees. Described as a “hermaphrodite” and “freak”, Childe Rolande is born into the fiercely matriarchal nation of Alba at a time when its fabric is crumbling. A prophecy says that one day a “Redeemer” will appear who will be “both one and the same”, and who will sweep away the age-old tyranny of Alba’s female rulers and bind the nation together in peace. Rolande fulfils all those qualifications.

This mystical being holds the wisdom of the ages in its eyes and reputedly transforms into an eagle at will, which is the hope and dream of Alba’s downtrodden males.

At the Dark Tower, Rolande must defeat the evil sorceress, Fergael, and unite the polarized kingdom if they are to fulfil their destiny. The book is written cleverly in the first person, so Lee doesn’t have to compare the main character to his/her gender. This allows Lee to step out of the political themes of the book and explore Alba, a kingdom ruled by any one part of its population. Childe Rolande also draws on poetic influences, particularly on Byron’s poem ‘Childe Roland to the Dark Tower Came’ which has drawn more than one contemporary author to its portentous portals. Samantha Lee’s classic is for all fantasy fans who want to understand human politics – and perhaps, those who maybe questioning their own sexuality – through the freedom of fantasy with enough allusions to play Umberto Eco’s game of hunt the reference.

A courageous, compassionate, innovative and intriguing novel when it was first published, it marks a milestone moment in the history of science fiction and fantasy and is today an example of what can be achieved in the genre fiction.

Childe Rolande is published by Parallel Universe Publications and is available to purchase from Amazon and other outlets. —John Gilbert


amazon.co.uk

amazon.com

Phantasmagoria magazine 

 

Swords & Sorceries: Tales of Heroic Fantasy Volume 5 reviewed in the latest issue of Phantasmagoria

Reviewed by John Gilbert in Phantasmagoria 22:

FRITZ LEIBER COINED the term “sword and sorcery” in 1961 after British author Michael Moorcock requested a name for the type of fantasy-adventure stories he had written. Originally, Moorcock  proposed the term “epic fantasy”, but, in early 1961, Leiber replied in the journal Ancalagon, suggesting “sword and sorcery” as a good popular catchphrase for the field.

A consensus of literary opinion describes the S&S sub-genre as comprising fast-paced, action-rich, fantasy stories set in quasi-mythical or fantastical worlds. As opposed to high fantasy, sword and sorcery tales tend to be more personal, with danger confined to the moment of telling. Sword and sorcery stories are more often than not set in exotic locales, and protagonists are inclined to be morally compromised.

Whilst sales of high fantasy have soared in recent years, support for sword and sorcery has declined amongst the big publishing corporations and imprints. It has fallen to independent publishers, such as Parallel Universe Publications, to keep it alive with reprints of classics and new tales with anthologies such as the Swords & Sorceries series, which contains this very mix. It is, as always, expertly edited by fantasy champion David Riley and illustrated by genre maestro Jim Pitts.

Volume 5 of this series – published towards the end of 2022 – is dedicated to Charles Black who inspired the series, and commences with a fulsome introduction by the editor which introduces the authors and provides background to some of the tales.

The anthology kicks off with a newcomer to the series but a veteran American author, editor and poet, Charles Gramlich, whose works include Swords of Talera, Wings Over Talera and Witch of Talera, novels inspired by Edgar Rice Burroughs’ John Carter of Mars series. His contribution to this anthology, ‘The Rotted Land’, a fast paced, atmospheric tale, is the third instalment in a series featuring the the legendary warrior Krieg, who this time becomes entangled in a conflict between a witch and a sorceress whilst travelling through a gloomy, reptile-infested swamp.

British SF&F author Harry Elliott, largely known for his military fiction, showcases his prodigious genre-hopping talents with ‘Skulls for Silver’, featuring Mann and Hel, creature-hunting sell-swords who hitch up with a caravan of travellers with a monstrous, slave trading, secret.

Gustavo Bondoni’s ‘For the Light’ has the feel of ancient Rome, with bloody sport for the glory of the gods and a high stakes chariot race, while ‘People of the Lake’ by Lorenzo D. Lopez takes us back to the swamps as Morwenna runs from an army of skeletons sent after her by Skeloric, a sorcerer who will conjure anything to make her his bride.

Dutch writer Tais Teng’s silkily narrated ‘Free Diving for Leviathan Eggs’ stands out amongst cut and thrust of most heroic fantasy fare due to its ethereal style. It is more of an Arabian fable – somewhat in the mould of fiction by Ursula Le Guin or Tanith Lee – than a sword swinging action romp and unlike the previous entries in this anthology, it is a first-person narrative. His “heroine” is the third wife of a 300-year-old magician who keeps his spouses young with magic – his first wife is 90 years old and still looks young and voluptuous. Her aunts pity her plight, chained, as they see it, to such a decrepit old man. She is sanguine about the arrangement but when he turns her into a sea creature and uses her to further his own magical ends, she begins to understand the cost of the love she so desperately wants from him.

Dungeons and caves are the focus of the next two, much more traditional S&S stories. ‘The Black Well’, by Darin Hlavaz, tells the story of an expedition into the gloomy depths of the Well of Oanjuntoo in a quest to recover a sorcerous staff. It is very much a story in the tradition of H. Rider Haggard, a fast-paced adventure with natural and supernatural hazards along the way. ‘Degg and the Undead’ by Susan Murrie Macdonald, is similarly subterranean, but there the similarities end as Degg is a lone adventurer who incurs the ire of a necromancer when he steals an enchanted sword.

The next two stories have a historical twist to them and again read more like legends than straight S&S. Fantasy mixes with history in David Dubrow’s ‘The Mistress of the Marsh’ when a legion of Roman soldiers, sent to occupy the town of Parma and keep the peace, are suddenly afflicted with a deadly illness that turns man against man and which may have been inflicted by the Thucers, a mysterious tribe of swamp people.

‘Silver and Gold’, by Earl W. Parrish, begins on a Roman road where Pierre, a Holy Knight, rescues Jeannette, a woman, impaled by an arrow and hanging from a tree, who is about to be burned alive. As they journey on together, and she refuses to leave his side, he begins to wonder whether she was ever truly a maiden in distress.

‘Bridge of Sorrows’, by Dev Agarwal, is part three of the legend of Lord Commander Simeon, also called the Stone Snake – the first two tales, ‘Stone Snake’ and ‘The Iron Woods’ having been included in earlier volumes of the anthology series. Accompanied by Princess Irene, and guided by ben Kim as they journey towards The Bridge of Sorrows, they are not prepared for another confrontation with Silver Mask and the evil brood of Dagonists – yes, a nod towards Lovecraft’s Mythos – awaiting them there.

No contemporary sword and sorcery anthology would be complete without an entry by “Dream Lords” and “Star Requiem” author Adrian Cole. In the final entry in this anthology, Adrian takes us to the world of Elak of Atlantis, originally the creation of American pulp author Henry Kuttner, with ‘Prisoners of Devil Dog City’. King Elak has unified the Atlantean continent and his people are enjoying a time of prosperity and peace. And yet, in this tale set at sea and wrought with supernatural dangers, the gods and monsters will continue to have their battles.

Of the eleven tales laid out in this fifth volume of Swords & Sorceries, those that stand from the pack are the ones that exhibit a freshness, style and sophistication all of their own. They are ‘Free Diving for Leviathan Eggs’, which bears the form of a silkily written fable, ‘Silver and Gold’, which defies the more traditional, Conan-esque, tropes of the sword and sorcery sub-genre, and the gripping ‘Prisoners of Devil Dog City’, which demonstrates the versatility of a true master of the fantasy/SF genre. That said, each story in the anthology earns its inclusion and stretches the boundaries of what would normally be considered under the banner of sword and sorcery. This volume may be the fifth instalment of this anthology series but it ably demonstrates that the sub-genre continues to survive and to draw a lively audience.

Swords & Sorceries: Tales of Heroic Fantasy Volume 5 is published by Parallel Universe Publications and is available to purchase from Amazon and other outlets. For more details please go to:

amazon.co.uk

amazon.com  

Phantasmagoria magazine 

 

Wednesday, 1 March 2023

Fishhead: The Darker Tales of Irvin S. Cobb

Published in 2016 Fishhead: The Darker Tales of Irvin S. Cobb has been consistently a regular seller and is still available as a hardcover, paperback and kindle ebook.

 
During his lifetime Irvin S. Cobb was one of the most celebrated writers in American literature, though nowadays he is almost forgotten, apart perhaps from his Lovecraft connection. Irvin Shrewsbury Cobb was born in Paducah, Kentucky on the 23rd June, 1876. His father, unable to cope with the death of his own father, succumbed to alcoholism when Cobb was only sixteen. As a result, Cobb’s education came to an end and he started work, first on the Paducah Daily News, then the Louisville Evening Post. By 1904 Cobb’s career in journalism was doing so well that he moved to New York, where he would go on to spend the rest of his life, starting work at the Evening Sun, though it wasn’t long before an assignment to cover the Russian-Japanese peace conference in Portsmouth, New Hampshire so impressed Joseph Pulitzer that he offered Cobb a job at the New York World, where he became the highest-paid staff reporter in the United States. In 1911 Cobb moved to the Saturday Evening Post. Three years later he was asked to cover the Great War. Amongst the many stories he wrote while there were the exploits of the Harlem Hellfighters, a unit of black American soldiers who had gone on to earn distinction for their courage and discipline, which Cobb celebrated in his book The Glory of the Coming. Besides his prolific work as a journalist, Cobb’s fame largely came from his humorous stories, which were published in the leading magazines of his day, and collected in numerous books during his lifetime. But, though he was best known as a humourist, he did have a darker side, exemplified by the tales collected in this volume. Two of the most famous succeeded in catching the attention of H. P. Lovecraft. It is claimed that Fishhead influenced Lovecraft’s The Shadow Over Innsmouth. And there is certainly no doubt that Lovecraft was favourably impressed with this tale. In his groundbreaking essay, Supernatural Horror in Literature, Lovecraft wrote: “Fishhead, an early achievement, is banefully effective in its portrayal of unnatural affinities between a hybrid idiot and the strange fish of an isolated lake…” The Unbroken Chain gave Lovecraft the key idea behind The Rats in the Walls, though in all other respects the two tales are totally different. Besides writing and journalism, Cobb’s career extended to Hollywood, where legendary director, John Ford, made two films based on his books: Judge Priest (1934) and The Sun Shines Bright (1953). Other films included Peck’s Bad Boy (1921), starring Jackie Coogan, and The Woman Accused (1933), with a young Cary Grant. Cobb also did a stint at acting himself, appearing in ten movies altogether, including Pepper, Everybody’s Old Man (1936), Steamboat Round the Bend (1935) and Hawaii Calls (1938). It’s a sign of the prominence he had achieved that in 1935 he was invited to host the 7th Academy Awards. Other than the tales that inspired Lovecraft, Cobb also wrote some brilliantly dark stories that culminate in a kind of sadistic irony. They are some of the finest conte cruel ever written. Amongst the best of these is the final story in this collection: Faith, Hope, and Charity, whose protagonists, as is often the case in Cobb’s stories, struggle against fates that are not only pre-ordained but are horrendously appropriate! It must be added his hapless victims are far from blameless. What fates await them under Cobb’s pen have most definitely been brought upon them by themselves! Through most of the tales there is a wry sense of humour, so wry, in fact, that it never detracts from the impact at the end; indeed, it often adds to and embellishes it! I hope you enjoy reading these stories as much as I did and share with me the conviction that it is high time they were revived.

Contents are:

Fishhead
The Escape of Mr. Trimm
The Gallowsmith
Mr. Lobel's Apoplexy
The Unbroken Chain
The Second Coming of the First Husband
Masterpiece
January Thaw
Cabbages and Kings
We Can't All Be Thoroughbreds
Queer Creek
Ace, Deuce, Ten Spot, Joker
Balm of Gilead
Faith, Hope, and Charity

Hardback, paperback and kindle:
Amazon.co.uk 
Amazon.com         
 
You can order the hardcover version direct from us on this link, post free.
You can order this book direct from us on this link, post free.