Tuesday, 28 April 2026

Part of the first online review of Swords & Sorceries: Tales of Heroic Fantasy Volume 12 by Gung-ho Geeks

 

Here's a small taster of the irreverent review by Gung-Ho Geeks of Swords & Sorceries: Tales of Heroic Fantasy Volume 12, (due to be published at the start of May). I'll post more as soon as the rest is online. 

Opening seconds of the review 


Thursday, 23 April 2026

Swords & Sorceries: Tales of Heroic Fantasy Volume 12 - one week to go

 


There's now just one week to go before the publication of Swords & Sorceries: Tales of Heroic Fantasy Volume 12 as a trade paperback and kindle ebook.

Friday, 10 April 2026

Phantasmagoria Magazine #28

The latest issue of Phantasmagoria Magazine includes an advert for Parallel Universe Publication's sword and sorcery books opposite the first page of my story "The Carpetmaker of Arana", originally published in Savage Realms Monthly in 2022 (issue 12).

Thursday, 2 April 2026

First review of The Collected SF, Fantasy & Horror Stories of David A. Riley Volume 1 - 1970-2010

 

"I had the chance to read and review Volume 1 of David Riley's short stories. The review is on Amazon and included below . . .
Mr. Riley owes me one good night of sleep.
Maybe I shouldn’t have read his short horror story “Romero’s Children” before bedtime.
That tale—and thirty others—appear in The Collected SF, Fantasy & Horror of David A. Riley, Volume 1, a showcase of classic British horror: moody, unsettling, and crafted with a storyteller’s sure hand. Riley blends creeping dread with memorable characters and images, the kind that settle under the skin and festers long after the final page.
I’m convinced that John Collier and David A. Riley are kindred spirits. Collier’s stories for The New Yorker weren’t always horror, but in tone, temperament, and style, the two writers share a certain dark kinship.
What stands out most in this collection is the range. Each story delivers its own distinct chill while still feeling part of a unified, haunted world. Riley’s characters feel grounded and real, which makes their descents into the uncanny—and the unsavory—even more effective."
 
R. K. Olson