Saturday 23 February 2019

The Fantastical Art of Jim Pitts reviewed by Trevor Kennedy of Phantasmagoria Magazine

THE FANTASTICAL ART OF JIM PITTS.
Review by Trevor Kennedy for Phantasmagoria Magazine.
The Fantastical Art of Jim Pitts is a bumper hardback dedicated to the life works so far of the man of the title, one of the great fantasy artists of our time. On top of that, it also serves as a history of sorts of the much esteemed British Fantasy Society (and related publications) and the early days of these guys at the forefront of the movement, highlighting their good times, and quite often difficulties, over the last almost half a century. Jim Pitts and his exquisitely detailed artworks are our guides through this fascinating and hugely important period for the UK fantasy/horror scene. And I loved every single page of it!
Jim’s life, from his working class Northern English beginnings and folk band days with ‘The Jim Pitts Folk Quartet’ to the present day, is chronicled over 212 pages alongside a bonanza of his macabre works and written contributions from BFS stalwarts such as David A. Riley, David A. Sutton, Ramsey Campbell, Stephen Jones, Brian Lumley, Adrian Cole, Peter Coleborn and more, fascinating real life stories concerning what really must have been a golden era for these pioneers, especially in the 1970s and ‘80s. Reading about the difficulties they faced back then just made me realise how lucky wannabe publishers/writers like myself get it these days. My first job when I left school was with a printing firm, so I know only too well how expensive lithographic printing was, and probably still is.
On the subject of Jim’s artwork itself, firstly I must state that I am no art expert, especially from a technical viewpoint. But for me, as a layman, I found his numerous pieces included on the pages to be brilliantly atmospheric, haunting and Lovecraftian. I particularly enjoyed his representations of certain M.R. James’ stories, some of his Cthulhu mythos-based creations, his cracking portrait of Vincent Price in Witchfinder General, along with a classic Universal monster or two. On a personal level, Jim’s artwork also brought with it warm feelings of nostalgia for my own childhood when I would have read some of the various publications referenced, including Fantasy Tales and the B.F.S. Bulletins, mailed to me in the 1980s by my then pen-pal cousin Dave Carson, another fantasy artist also mentioned in the book and associate of Jim and the aforementioned contributors. For me to now be just a small part of this scene is the greatest of personal honours.
This is a very special book for many reasons, so if you have even a passing interest in fantasy artwork (especially that of Jim Pitts obviously) or the recent history of the UK weird fiction scene, then you really need to grab a copy for yourself as soon as humanly possible!
A limited number of 250 signed copies of The Fantastical Art of Jim Pitts have been published by Parallel Universe Publications. If you are interested in acquiring a copy you can contact them through the following:
Parallel Universe Publications
David A. Riley; Linden Riley
Head Office: 130 Union Road, Oswaldtwistle, Lancashire, BB5 3DR, UK.
Email: paralleluniversepublications@gmx.co.uk or davidariley@gmx.co.uk
A future issue of Phantasmagoria Magazine (number 10, late May 2019) will feature interviews with Jim Pitts, David A. Riley and David A. Sutton.

To order a copy click on this link Order The Fantastical Art of Jim Pitts

Friday 8 February 2019

Women in Horror Month

Parallel Universe Publications has three outstanding collection from women writers:

And Nobody Lived Happily Ever After by Kate Farrell
Other Visions of Heaven and Hell by Jessica Palmer
Fractious Fairy Tales by Jessica Palmer

Artwork by Vincent Chong

"What distinguishes Kate Farrell’s work is the extraordinary accuracy and vividness with which she sets up her situations. She has an eye for detail and an outstanding ear for the way people think and speak. It is far from fanciful to see this at least partly as the product of her experience as an actress. In the theatre, a natural faculty for observing one’s fellow human beings is trained and honed. Listen to the narrator of “Waiting”. If you don’t know someone like that personally, you will have certainly heard her talking just behind you on a bus at some time. The intonation, the accent, the understanding, and the lack of it, are all so true to life. But the people Farrell evokes are not all from one social stratum, or one nation. Here is an ancient and corrupt Irish Priest (“The Way the Truth and the Life”), here is the wife of a notorious Argentinean dictator (“Las Cosas Que Hacemos por el Amor”), or the two Spanish schoolchildren in “The Efficient Use of Reason”, and they are all done with the same conviction, the same ruthless accuracy. Farrell’s eye is not heartless, but it is unclouded by any kind of sentimental affectation; her horrors emerge from what we sometimes call the commonplace. Very occasionally she touches on the supernatural, but when she does she does it superbly as in one of my favourites among her stories “A Murder of Crows” which shows that she can do an uncanny rural atmosphere with grim poetry as well as anyone. It is the gift of every worthwhile writer in this genre to make us realise that just beneath the surface of the banal and ordinary, there yawn great abysses of wonder and terror. I don’t know quite why this realisation, in the hands of a writer like Farrell, should be so thrilling, enjoyable even, but it is. There is not a dull page, not a dull sentence in And Nobody Lived Happily Ever After." From Reggie Oliver 's introduction to And Nobody Lived Happily Ever After

Contents are:
Introduction by Reggie Oliver
Mea Culpa
Helping Mummy
A Murder of Crows
No Junk Mail
All in a Row
Dad Dancing
The Way and the Truth and the Life
My Name is Mary Sutherland
The Efficient Use of Reason
How I Got Here
His Family
The Sands are Magic
Once Upon a Time
A. Reeves Tale
Las Cosas Que Hacemos por El Amor
Peacock Blue Dress
Alma Mater
Waiting

Mea Culpa was first published in The Eighth Black Book of Horror, 2011
His Family was first published in The Ninth Black Book of Horror, 2012
Dad Dancing was first published in The Tenth Black Book of Horror, 2013
Helping Mummy was first published in The Screaming Book of Horror, 2012
The Sands are magic was first published in Terror Tales of the Seaside, 2013
Waiting was first published in Kitchen Sink Gothic, 2015
Alma Mater was first published in The Eleventh Black Book of Horror, 2015

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Jessica Palmer has had 28 books published, both fiction and nonfiction. Her novels – horror, fantasy and science fiction – were released by Pocket Books in the United States and Scholastic in the United Kingdom. She has written two textbooks about Native American history, which were published by McFarland, and an encyclopedia of natural history released by Harper Collins’ label Element Books and later by Thorson in the UK.
Palmer has also written ten science-and-technology manuals on the topics of explosives and radiation. These were distributed globally. It was this work that brought her to Great Britain in 1988.
The daughter of a professional clown, Palmer refers to her switch to writing fiction as an exercise in damage limitation. She taught classes and conducted workshops on creative writing and publishing at North Shropshire College in Whitchurch, Stanmore College and the Islington Arts Factory in London.
As a journalist, Palmer won awards in New Mexico and Texas for writing features, public service and breaking news – the most recent in 2013. Palmer has also written satirical columns for newspapers, including “A Slice of Life” and “How to Make Love to your Personal Computer.”
Her two loves are writing and animals. She started a nonprofit in Kansas for wildlife rescue and has held a wildlife rehabilitation permit since 2002.
Other Visions of Heaven and Hell are a series of sometimes inter-related stories about our ideas of Heaven and Hell, sometimes hilarious - sometimes horrific - but always entertaining.


Contents are:
Devil's Due
The Faithful
And now, a Word from our Sponsor
Heavenly Bodies
On the Wings of a Prayer
Fallen Angel
A Stitch in Time
Infinity
No Good Turn
Leap of Faith
Divine Comedy
Force of Habit
The Gates of Hell
Hell on Wheels
Cinderella Revisited
Last Laugh
Sisters
A Cold Day in Hell
Cheap Shots
What the Dickens
When Hell Freezes Over
Bad Medicine
Wrong Number
A Snowball's Chance
Devil Woman
To Be or Not
The King's Plate
An Afterthought
About the Author

Last Laugh was first published in Weirdbook #28, Autumn 1993, edited by W. Paul Ganley
Cinderella Revisited was first published in Weirdbook #29, Autumn 1995, edited by W. Paul Ganley
What the Dickens was first published in Substance Sept 1995

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ebook:
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Paperback: