Still one of the best books published by Parallel Universe Publications

Cover art by Vincent Chong

"What distinguishes Kate Farrell’s work is the extraordinary accuracy and vividness with which she sets up her situations. She has an eye for detail and an outstanding ear for the way people think and speak. It is far from fanciful to see this at least partly as the product of her experience as an actress. In the theatre, a natural faculty for observing one’s fellow human beings is trained and honed. Listen to the narrator of “Waiting”. If you don’t know someone like that personally, you will have certainly heard her talking just behind you on a bus at some time. The intonation, the accent, the understanding, and the lack of it, are all so true to life. But the people Farrell evokes are not all from one social stratum, or one nation. Here is an ancient and corrupt Irish Priest (“The Way the Truth and the Life”), here is the wife of a notorious Argentinean dictator (“Las Cosas Que Hacemos por el Amor”), or the two Spanish schoolchildren in “The Efficient Use of Reason”, and they are all done with the same conviction, the same ruthless accuracy. Farrell’s eye is not heartless, but it is unclouded by any kind of sentimental affectation; her horrors emerge from what we sometimes call the commonplace. Very occasionally she touches on the supernatural, but when she does she does it superbly as in one of my favourites among her stories “A Murder of Crows” which shows that she can do an uncanny rural atmosphere with grim poetry as well as anyone. It is the gift of every worthwhile writer in this genre to make us realise that just beneath the surface of the banal and ordinary, there yawn great abysses of wonder and terror. I don’t know quite why this realisation, in the hands of a writer like Farrell, should be so thrilling, enjoyable even, but it is. There is not a dull page, not a dull sentence in And Nobody Lived Happily Ever After." 

From Reggie Oliver 's Introduction to And Nobody Lived Happily Ever After

Contents are:
Introduction by Reggie Oliver
Mea Culpa
Helping Mummy
A Murder of Crows
No Junk Mail
All in a Row
Dad Dancing
The Way and the Truth and the Life
My Name is Mary Sutherland
The Efficient Use of Reason
How I Got Here
His Family
The Sands are Magic
Once Upon a Time
A. Reeves Tale
Las Cosas Que Hacemos por El Amor
Peacock Blue Dress
Alma Mater
Waiting

Mea Culpa was first published in The Eighth Black Book of Horror, 2011
His Family was first published in The Ninth Black Book of Horror, 2012
Dad Dancing was first published in The Tenth Black Book of Horror, 2013
Helping Mummy was first published in The Screaming Book of Horror, 2012
The Sands are magic was first published in Terror Tales of the Seaside, 2013
Waiting was first published in Kitchen Sink Gothic, 2015
Alma Mater was first published in The Eleventh Black Book of Horror, 2015


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Cover artwork: Vincent Chong